The image-maker engages so many permutations and combinations to finally end up with one outstanding frame - the ‘money shot’, like I did to make UB 1228, UB 1486 and UB 1853. I am unable to share/exhibit these by law because I have signed off my rights to those images (for a minuscule sum), but what remains in my possession is the journey taken to attain those winning money-fetching shots. The many parts of a un-viewable whole.
In this exposé of process and position, the colors highlight the subject in motion within the frame as well as the relative perspective of the frame in motion.
Exposéfy – Not_UB_1228, 1486 & 1853 is a documentation of quotidian activities that the modern woman is continually becoming unaccustomed to in changing India. This installation of consecutive frames is a memory game of continuity in content as well as form.